It’s partly because Ace Rothstein, Casino’s main character, is a far more fascinating creature than Henry Hill. It’s a shame because Casino is a more substantial, artful, and engrossing movie than GoodFellas. However, Casino, wide and ambitious in scope, is too often dismissed as "wiseguys go west" another gangster flick that doesn’t live up to the esteem of Martin Scorsese’s street hood masterpiece. Why does it feel impossible to talk about Casino, an undervalued and underrated movie, without talking about GoodFellas? The two, in a sense, are inexorably linked, partly because of the mob connection, the "based on a true story" milieu of the subject matter, and, of course, Robert De Niro. Is Casino, perhaps, just a smidge better? You bet.
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